Drawing is more than just moving a line-making tool on a surface, leaving a mark. I am interested to explore the wider implications and contexts of such a seemingly simple activity. Do we draw to document what is happening – what we see, or how we feel? Or, do we make marks to record what has been? We can draw to document events. But, we might also make a drawing as part of a planning process – when we think about things, or when we make instructions for designing and constructing an object, or and event. Drawings can be scores. I am particularly interested in the curious relationship that unfolds when I compare a drawing that I made to plan something with the result of the planned activity. The discrepancies between both can be very revealing about the ways we think, what we know about ourselves and the world of objects. I also find it deeply fascinating when we bring together – within a picture or an exhibition – drawings that occur on a paper surface, with objects in space that these drawings relate to. Instead of drawing with traditional tools like pens or pencils, we can consider our body as a tool whose movements leave traces in space e.g. footprints on the ground or, in outdoor environments, we might leave behind objects or fences that change the landscapes.