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Sabine Kussmaul visual artist

  • Home
  • About
  • Practice components
    • 1 - Drawing
    • 2 - Line in landscape
    • 3 - Body-movement-environment
    • 4 - Objects: revealing process
    • 5 - Mapping experience
    • 6 - Inscription
  • Current work
    • 'working title'
  • Research
    • Artmaking outdoors (PhD)
    • 1 - Mobility: body & artefacts
    • 2 - Modularity
    • 3 - Sculptural drawing supports
    • 4 - Weather & topography
    • 5 - Marking human presence
    • 6 - Art as material practice
  • Exhibitions and events
    • 2025 Bakestonedale Moor...
    • 2022 Unpredictable, particular...
    • 2022 Marks and artefacts
    • 2021 Rock cover...
    • 2020 Mobile working kit...
    • 2020 Windsplatter inks...
    • 2019 Paper Scrolls...
    • 2019 Ghost Mills...
    • 2019 Fire...
    • 2018 Final MA show...
    • 2018 Marking process...
    • 2018 Book...
    • 2018 Erwood Reservoir...
    • 2018 Isle of Tiree I ...
    • 2018 Isle of Tiree II...
    • 2018 Isle of Tiree III...
    • 2017 Body and line...
    • 2015 Layering images...
    • 2014 Music...
    • 2013 Textile threads...
    • 2012 Earth surface....
  • CV
    • Education, employment, teaching
    • Exhibitions
    • Publications
    • Conference/Symposia presentations
  • Blog: building creative practice
  • Links
  • Contact
Sabine Kussmaul visual artist
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Taking paper out on run: wax surface for protection

Added on June 19, 2017 by sabine kussmaul.

How can you take out sketching paper to sit down briefly for a sketch (whilst out on a run) and not loose the paper in the wind, or have it soaked by the rain, or torn apart by a tiny tear that gets bigger?
Still using the wax soaked chippy paper (newsprint) that the artist Lindsey Piper gave me, I hemmed in the edges of the paper, made the sheets only a certain size that folded well, and laced the sheets together with string ....no flying off any more. 

At the time of making these drawings, I thought a lot about how animals are so superbly adapted to their environment and to the things they do in that environment. How their eating, sleeping, movement patterns are coordinated with the weather and vegetation on the land. I have to wear so many clothing, have to keep moving (in order not to become too cold) and only be out for so long till the cold, hunger and the exhaustion of my stamina brings me back. 
I also wondered about materials, and how nature uses simple techniques like doubling layers with air in between for warmth and stabilisation. Fat, grease and wool....the essentials (we are in the realm of Beuys, I guess) is what is needed. 

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