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Sabine Kussmaul visual artist

  • Home
  • About
  • Practice components
    • 1 - Drawing
    • 2 - Line in landscape
    • 3 - Body-movement-environment
    • 4 - Objects: revealing process
    • 5 - Mapping experience
    • 6 - Inscription
  • Current work
    • 'working title'
  • Research
    • Artmaking outdoors (PhD)
    • 1 - Mobility: body & artefacts
    • 2 - Modularity
    • 3 - Sculptural drawing supports
    • 4 - Weather & topography
    • 5 - Marking human presence
    • 6 - Art as material practice
  • Exhibitions and events
    • 2025 Bakestonedale Moor...
    • 2022 Unpredictable, particular...
    • 2022 Marks and artefacts
    • 2021 Rock cover...
    • 2020 Mobile working kit...
    • 2020 Windsplatter inks...
    • 2019 Paper Scrolls...
    • 2019 Ghost Mills...
    • 2019 Fire...
    • 2018 Final MA show...
    • 2018 Marking process...
    • 2018 Book...
    • 2018 Erwood Reservoir...
    • 2018 Isle of Tiree I ...
    • 2018 Isle of Tiree II...
    • 2018 Isle of Tiree III...
    • 2017 Body and line...
    • 2015 Layering images...
    • 2014 Music...
    • 2013 Textile threads...
    • 2012 Earth surface....
  • CV
    • Education, employment, teaching
    • Exhibitions
    • Publications
    • Conference/Symposia presentations
  • Blog: building creative practice
  • Links
  • Contact
Sabine Kussmaul visual artist

Me in the centre?

Added on July 14, 2017 by sabine kussmaul.

I wonder how I could explain to myself and others what it is that I am doing here. 
I go for runs, to feel the environment, myself and the movement, and I claim to thus produce an experience that is relevant. Relevant not only to myself but also to others? 
Running is a physically engaged way of moving over land, over surface, inside the environment. This creates a multi-facetted experience as it generates feelings, sensations, thoughts, brings up old and creates new memories, is breathing, being blank in the mind,...
I can try to record some aspects of these many facettes. 
Using stretchy lines  to install a response  into the environment where the running takes me is just one more, very deliberate response to engaging with the environment and with my mode of moving through it. 
I like the idea of the following metaphor to explain this: The Earth or, in a smaller context, 'the environment' is an organism. It undergoes constant change and it emits sounds, scents, has atmosphere. By running over it, it is like the runner touches the surface of this big organism, creating friction and, as a result, resonance, like the sound created by a thumb that touches and strokes over a string instrument. What is created is an interplay between runner and environment. The resonances of this interactions can be seen like voicings of the momentary.  Aili Bresnahan's article  'Improvisational Artistry in Live Dance Performance as Embodied and Extended Agency' seems to relate to this. 

← Newer: Is it all just a brushing over surfaces and feeling the resonance? Older: Drawings and photographs, end of year show, Chester Universiy →
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