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Sabine Kussmaul visual artist

  • Home
  • About
  • Practice components
    • 1 - Drawing
    • 2 - Line in landscape
    • 3 - Body-movement-environment
    • 4 - Objects: revealing process
    • 5 - Mapping experience
    • 6 - Inscription
  • Current work
    • 'working title'
  • Research
    • Artmaking outdoors (PhD)
    • 1 - Mobility: body & artefacts
    • 2 - Modularity
    • 3 - Sculptural drawing supports
    • 4 - Weather & topography
    • 5 - Marking human presence
    • 6 - Art as material practice
  • Exhibitions and events
    • 2025 Bakestonedale Moor...
    • 2022 Unpredictable, particular...
    • 2022 Marks and artefacts
    • 2021 Rock cover...
    • 2020 Mobile working kit...
    • 2020 Windsplatter inks...
    • 2019 Ghost Mills...
    • 2019 Scrolls...
    • 2019 Fire...
    • 2018 Final MA show...
    • 2018 Marking process...
    • 2018 Book...
    • 2018 Erwood Reservoir...
    • 2018 Isle of Tiree I ...
    • 2018 Isle of Tiree II...
    • 2018 Isle of Tiree III...
    • 2017 Body and line...
    • 2015 Layering images...
    • 2014 Music...
    • 2013 Textile threads...
    • 2012 Earth surface....
  • CV
    • Education, employment, teaching
    • Exhibitions
    • Publications
    • Conference/Symposia presentations
  • Blog: building creative practice
  • Links
  • Contact
Sabine Kussmaul visual artist

Running drawing practice marches all over my desk

Added on July 18, 2017 by sabine kussmaul.

How can I keep track, and not only that, but keep the feeling of it, of a run that I have done, ...
with the impressions of the momentary, as fleeting and impressive as they might have been, the stretches of lines and distance, installed and covered, the experiences made, ...reaching out to the past and forwards into what's to come. 
I have used drawings to plan and later to comment on a run. This very loose and rough way of arranging bits to do with the documentation I bring back might offer an interesting open process with quite a bit of potential. 

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