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Sabine Kussmaul visual artist

  • Home
  • About
  • Practice components
    • 1 - Drawing
    • 2 - Line in landscape
    • 3 - Body-movement-environment
    • 4 - Objects: revealing process
    • 5 - Mapping experience
    • 6 - Inscription
  • Current work
    • 'working title'
  • Research
    • Artmaking outdoors (PhD)
    • 1 - Mobility: body & artefacts
    • 2 - Modularity
    • 3 - Sculptural drawing supports
    • 4 - Weather & topography
    • 5 - Marking human presence
    • 6 - Art as material practice
  • Exhibitions and events
    • 2025 Bakestonedale Moor...
    • 2022 Unpredictable, particular...
    • 2022 Marks and artefacts
    • 2021 Rock cover...
    • 2020 Mobile working kit...
    • 2020 Windsplatter inks...
    • 2019 Paper Scrolls...
    • 2019 Ghost Mills...
    • 2019 Fire...
    • 2018 Final MA show...
    • 2018 Marking process...
    • 2018 Book...
    • 2018 Erwood Reservoir...
    • 2018 Isle of Tiree I ...
    • 2018 Isle of Tiree II...
    • 2018 Isle of Tiree III...
    • 2017 Body and line...
    • 2015 Layering images...
    • 2014 Music...
    • 2013 Textile threads...
    • 2012 Earth surface....
  • CV
    • Education, employment, teaching
    • Exhibitions
    • Publications
    • Conference/Symposia presentations
  • Blog: building creative practice
  • Links
  • Contact
Sabine Kussmaul visual artist

New studio!

Added on August 13, 2026 by sabine kussmaul.

We had to come out of our huge studio in Macclesfield’s Pickford Street Mill. The business rates had gone up and the whole affair became unaffordable for us. So we had dismantle everything, split up and all of us are now in different locations with our artmaking. I am now with Tine Studios, in Bollington’s Adelphi Mill. There is a bit less place then I had before but the change made me reassess my bearings, ask myself what I really want to do practically, post-PhD. I am still deliberating with myself what kind of practical work this is going to be. I will build on the PhD project in the sense that the human figure, drawing, outdoor and indoor environments will play a role. I also feel that - with my next work - I want to move closer to the human body again and focus ALSO on the outermost shell of our bodies, the garment, and how garments and other accoutrements impact on the way we understand ourselves, and the world around us.

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